{"id":769,"date":"2017-10-16T10:00:51","date_gmt":"2017-10-16T14:00:51","guid":{"rendered":"https:\/\/designinglight.com\/?p=769"},"modified":"2017-10-16T07:53:17","modified_gmt":"2017-10-16T11:53:17","slug":"r-i-p-cri","status":"publish","type":"post","link":"https:\/\/designinglight.com\/?p=769","title":{"rendered":"R.I.P. CRI"},"content":{"rendered":"<p>It&#8217;s been a little over two years since the IES released <em>TM-30-15 IES Method for Evaluating Light Source Color Rendition<\/em>. \u00a0In that time TM-30 has seen growing support in the industry and a growing body of evidence for its accuracy and usefulness. \u00a0We&#8217;ve nearly reached the moment when we can all agree that it&#8217;s time to retire CRI and fully adopt a modern, accurate system of measuring and describing the color rendering of light sources. \u00a0What&#8217;s wrong with CRI? \u00a0Quite a bit, so if you&#8217;re not up to date on the issue here&#8217;s an overview.<\/p>\n<p>In 1948 The CIE first recommended a color rendering index based on a method developed in 1937. \u00a0The 1937 method is a fidelity metric (that is, it compares a test light source to a reference light source) that divides the spectrum into eight bands and compares each band to a full spectrum radiator. \u00a0In 1965 the CIE finally adopted <em>CIE 13-1965 Recommended method of measuring and specifying color rendering properties of light sources, based on a test color sample method<\/em>, what today we call CRI <em>R<\/em><sub>a<\/sub>\u00a0or just CRI. \u00a0From the start it was apparent that there were problems. \u00a0In 1967 a committee was established to correct for adaptive color shift. \u00a0Other problems were uncovered, and in 1974 a formal update was published. \u00a0Errors were uncovered in the 1974 edition, resulting in a third version in 1994, which is the version we use today.<\/p>\n<p>So far, so good. \u00a0Errors are discovered in the method used and are eventually corrected, so what&#8217;s the fuss? \u00a0The fuss is that the corrections were minor compared to the scope of the errors, and 23 years after the last correction we still don&#8217;t have an accurate, up to date system. \u00a0In the early 1990s a proposal to update the formula and test color samples failed to gain consensus. \u00a0Two subsequent attempts to improve the metric also closed without adoption. \u00a0The current problems, as described in the 2011\u00a0<em>IES Lighting Handbook, 10th Edition<\/em> include:<\/p>\n<ul>\n<li>Averaging the color shifts of the eight test colors says nothing about the rendering of any single sample. \u00a0A large error in one color can be masked by accurate rendering of the other samples.<\/li>\n<li>The test color samples are all of moderate saturation so the index doesn&#8217;t reveal color shifts in saturated colors. \u00a0In addition, the test colors are not evenly distributed through the color space or the spectrum, so light source spectra can be engineered to score higher than visual observation would indicate.<\/li>\n<li>The color space used, the 1964 UCS chromaticity diagram, is no longer recommended for any other use.<\/li>\n<li>All chroma shifts are penalized, even though research shows that moderately increasing chroma is desirable in many applications.<\/li>\n<li>The chromatic adaptation used has been shown to perform poorly and is no longer recommended for any other use.<\/li>\n<li>A single number index gives no information about the direction or extent of color shift for any particular color or color range.<\/li>\n<\/ul>\n<p>Why haven&#8217;t these problems been corrected in the past 23 years? \u00a0I&#8217;m told that there are two issues. \u00a0The small issue is that competing scientific interests on the committee advocate new metrics that they&#8217;ve developed as a replacement or supplement to CRI. \u00a0The larger problem is that manufacturers on the committee don&#8217;t want to see any changes that would reduce the CRI of any of their lamps. \u00a0From their perspective, it&#8217;s better to have a high score on an inaccurate test than a low score on an accurate one. \u00a0It seems that internal politics has been preventing updates, corrections, and improvements.<\/p>\n<p>Although many other color rendering metrics have been proposed over the years, none has been adopted by CIE, which has the most significant voice on this issue. \u00a0The result is that the sole internationally accepted metric, which has also been written into product specifications and into codes, is CRI. \u00a0That began to change in 2015 with the introduction of TM-30. I&#8217;ll have more to say about TM-30 in future posts, but for now let&#8217;s agree that CRI <em>R<\/em><sub>a<\/sub>\u00a0is broken and CIE is in no hurry to fix it. \u00a0A better system exists, and our industry should adopt it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s been a little over two years since the IES released TM-30-15 IES Method for Evaluating Light Source Color Rendition. \u00a0In that time TM-30 has seen growing support in the industry and a growing body of evidence for its accuracy and usefulness. \u00a0We&#8217;ve nearly reached the moment when we can all agree that it&#8217;s time &hellip; <a href=\"https:\/\/designinglight.com\/?p=769\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">R.I.P. CRI<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,12,18,13,19],"tags":[27,26,68],"class_list":["post-769","post","type-post","status-publish","format-standard","hentry","category-calculations","category-color","category-design","category-lamps","category-lighting-profession","tag-color-rendering","tag-cri","tag-tm-30"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4gZSw-cp","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":386,"url":"https:\/\/designinglight.com\/?p=386","url_meta":{"origin":769,"position":0},"title":"A New Color Rendering Metric","author":"Jason Livingston","date":"May 11, 2015","format":false,"excerpt":"At last week\u2019s Lightfair one of the presentations was Quantifying Color Rendition: A Path Forward. The presentation was the first public look at the (not yet approved) IES Method of quantifying color rendering. What is this new (not yet approved) IES Method? Let\u2019s start with a quick review of the\u2026","rel":"","context":"In &quot;Color&quot;","block_context":{"text":"Color","link":"https:\/\/designinglight.com\/?cat=12"},"img":{"alt_text":"CRI Test Color Sample SPDs","src":"https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2015\/05\/CIE_CRI_TCS_SPDs.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2015\/05\/CIE_CRI_TCS_SPDs.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2015\/05\/CIE_CRI_TCS_SPDs.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1650,"url":"https:\/\/designinglight.com\/?p=1650","url_meta":{"origin":769,"position":1},"title":"What is the Reference Illuminant?","author":"Jason Livingston","date":"May 11, 2021","format":false,"excerpt":"Over the past few months I\u2019ve had a manufacturer, a sales rep, and a lighting designer all tell me they think CRI compares a light source to daylight.\u00a0\u00a0When I tried to correct one of them the reply was an acknowledgment that an incandescent source is normally used, but daylight can\u2026","rel":"","context":"In \"color rendering\"","block_context":{"text":"color rendering","link":"https:\/\/designinglight.com\/?tag=color-rendering"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":954,"url":"https:\/\/designinglight.com\/?p=954","url_meta":{"origin":769,"position":2},"title":"Misunderstanding CRI","author":"Jason Livingston","date":"April 8, 2019","format":false,"excerpt":"Discusses a common misuse of CRI and how it is corrected with TM-30.","rel":"","context":"In &quot;Color&quot;","block_context":{"text":"Color","link":"https:\/\/designinglight.com\/?cat=12"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2019\/04\/LED90.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2019\/04\/LED90.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2019\/04\/LED90.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":780,"url":"https:\/\/designinglight.com\/?p=780","url_meta":{"origin":769,"position":3},"title":"The Advantages of TM-30","author":"Jason Livingston","date":"October 30, 2017","format":false,"excerpt":"In this series of posts about IES TM-30-15 I've discussed the problems with CRI and the resistance to adopting TM-30. \u00a0In this post I'll discuss the advantages of TM-30 over CRI, and what TM-30 is and isn't. Color Samples Like CRI, TM-30 compares color samples rendered by a given test\u2026","rel":"","context":"In &quot;Color&quot;","block_context":{"text":"Color","link":"https:\/\/designinglight.com\/?cat=12"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2017\/10\/TM-30-Bins.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2017\/10\/TM-30-Bins.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/designinglight.com\/wp-content\/uploads\/2017\/10\/TM-30-Bins.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":5394,"url":"https:\/\/designinglight.com\/?p=5394","url_meta":{"origin":769,"position":4},"title":"A Brief History of TM-30","author":"Jason Livingston","date":"April 9, 2026","format":false,"excerpt":"Next Wednesday I\u2019ll be giving a presentation on LP-30 at LEDucation (hope to see you there!), and in preparing for it I\u2019ve been reflecting on how far we\u2019ve come in our understanding and evaluation of color rendering. \u00a0 The Color Rendering Index (CRI) was published by the International Commission on\u2026","rel":"","context":"In &quot;Color&quot;","block_context":{"text":"Color","link":"https:\/\/designinglight.com\/?cat=12"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3148,"url":"https:\/\/designinglight.com\/?p=3148","url_meta":{"origin":769,"position":5},"title":"AI and the Internet Need to Learn Color Rendering","author":"Jason Livingston","date":"March 28, 2023","format":false,"excerpt":"Recently a colleague of mine from the IES Color Committee asked of one of the new AIs \"Tell me about color rendering.\" \u00a0If we assume that the answer was formulated based on information about color rendering that is available on the internet we have a problem because the answer the\u2026","rel":"","context":"In &quot;Color&quot;","block_context":{"text":"Color","link":"https:\/\/designinglight.com\/?cat=12"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/designinglight.com\/index.php?rest_route=\/wp\/v2\/posts\/769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/designinglight.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/designinglight.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/designinglight.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/designinglight.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=769"}],"version-history":[{"count":5,"href":"https:\/\/designinglight.com\/index.php?rest_route=\/wp\/v2\/posts\/769\/revisions"}],"predecessor-version":[{"id":774,"href":"https:\/\/designinglight.com\/index.php?rest_route=\/wp\/v2\/posts\/769\/revisions\/774"}],"wp:attachment":[{"href":"https:\/\/designinglight.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/designinglight.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/designinglight.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}