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Designing Light

Designing Light

The companion blog to the book Designing With Light

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Welcome to the companion web site for Jason Livingston's Designing With Light: The Art, Science, and Practice of Architectural Lighting Design.

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It’s Time for a Unified Chromaticity Diagram

March 1, 2021 in Color, Design, Lighting Profession

The pandemic has certainly distracted me from regular posting here.  I’m probably not back to posting weekly, or even monthly, but I do have a new topic and a few things to say about it.  The topic is color science as it applies to lighting.

No doubt you’ve seen something like Figure 1 before.  It’s the CIE 1931 (x, y) chromaticity diagram and is the most common graphic for showing the range of tunable white luminaires and LED colors and their color mixing possibilities. 

CIE 1931 (x, y) Chromaticity Diagram
Figure 1 CIE 1931 (x, y) Chromaticity Diagram

The thing is, we keep using this diagram even though it has problems and has been replaced twice.  The problem is that it isn’t perceptually uniform, which means that the distance between any two color points doesn’t correspond to the perceptual difference between those two colors.  This was famously demonstrated in 1942 by David MacAdam. Using 25 chromaticities he had a trained observer, using a device that allowed for the color adjustment of light, attempt to create a side-by side match from different starting points – for example match a yellow sample starting from green, then match it again starting from red, etc.  When he plotted the results in CIE 1931 (x, y) the area where color differences could not be detected formed an ellipse as shown in Figure 2.  This demonstrated that the color space was not perceptually uniform.  If it was the ellipses would have been circles.

CIE 1931 (x, y) Chromaticity Diagram with MacAdam Ellipses
Figure 2 CIE 1931 (x, y) Chromaticity Diagram with MacAdam Ellipses (at 10x size)

These “MacAdam ellipses” have become the default way manufacturers talk about color consistency of their products.  You’ll often see statements on cut sheets saying that the LEDs for a particular product line all fall within an X-step MacAdam ellipse (2-step, 3-step, etc.).  Want to hear something crazy?  In 2014, the International Commission on Illumination (CIE), which sets the standards for most things related to color and light, recommended ending the use of MacAdam ellipses.  Why?  Look at Figure 2 again.  The size of MacAdam ellipses changes as we move around the chromaticity diagram. So does anything related to them, such as Standard Deviation Color Matching (SDCM) another, although less common, measure.

The first attempt to address the uniformity problem resulted in the CIE 1960 (u, v) uniform chromaticity scale (USC) diagram (Figure 3).  Correlated color temperature was originally calculated in the CIE 1960 (u, v) UCS.

CIE 1960 (u, v) Chromaticity Diagram
Figure 3 CIE 1960 (u, v) Chromaticity Diagram

It was later discovered that the CIE 1960 (u, v) USC diagram also was not uniform.  To improve uniformity the v-axis was scaled by 1.5, resulting in the CIE 1976 (u’, v’) UCS diagram shown in Figure 4.  As the most uniform UCS diagram, CIE 1976 (u’, v’) is the one recommended for use when calculating or evaluating color differences, not CIE 1931 (x, y).

CIE 1976 (u', v') Chromaticity Diagram
Figure 4 CIE 1976 (u’, v’) Chromaticity Diagram

Correlated color temperature was originally calculated in CIE 1960 (u, v).  However, since that diagram is no longer recommended for any purpose by the CIE, we use CIE 1976 (u’, v’) but scale it back to CIE 1960 (u, v).  This is described as CIE 1976 (u’, 2/3 v’).

The CIE’s 2014 recommendation mentioned earlier replaced MacAdam ellipses with a circle in the CIE 1976 (u’, v’) UCS.  A rough rule of thumb is that one MacAdam ellipse corresponds to a circle with a radius of 0.0011. Unfortunately, it doesn’t seem that any manufacturers have made this transition.

So, our industry is in a situation where we commonly use a 90 year old first generation diagram that was replaced 61 years ago.  We calculate CCT in a third generation chromaticity diagram that is 45 years old but tweek the math to refer back to a second generation 61 year old diagram.  It’s crazy!  No other industry uses a system this convoluted.

Why am I mentioning this?  I was recently reminded of a paper that was presented at last August’s IES Annual Conference.  Presented by Michael Royer of Pacific Northwest National Laboratory, it proposed using the latest color science to make a fresh start with a single new chromaticity diagram that is very similar to CIE 1976 (u’, v’) where we would calculate CCT, the color temperature bins for LEDs, color differences and the rest.  IES members can access the archived presentation after logging in to the IES website.

Full disclosure, I’m on the IES Task Group that is developing this new system.  The Task Group is made up of people in academia, design, manufacturing and research from three countries.  We’ve refined our work since August and expect to publish these refinements soon.  I encourage all of you to look for and learn about this proposal, to attend seminars when available, and to weigh in on this topic.  Would our industry benefit from moving to a unified chromaticity system?  Is this the right one?  How do we educate specifiers and manufacturers?  How do we phase in a new system?  We can all have a voice in bringing the science we rely on into the 21st Century.

References

CIE. (2014). TN 001:2014 Chromaticity Difference Specification for Light Sources. Vienna: International Commission on Illumination.

CIE. (2018). CIE 015:2018 Colorimetry, 4th Edition. Vienna: International Commission on Illumination.

MacAdam, D. (1942). Visual Sensitivities to Color Differences in Daylight. Journal of the Optical Society of America, 32(5), 247-274.

Royer, M. et. al. (2020).  Improved System for Evaluating and Specifying the Chromaticity of Light Sources. In: Illuminating Engineering Society Annual Conference 2020.

Tags: Color Science
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IES RP-16 is Now IES LS-1

December 9, 2020 in Documentation, Light, Lighting Profession

The Illuminating Engineering Society’s Recommended Practice 16 Nomenclature and Definitions for Illuminating Engineering (aka RP-16) has long been one of the two reference sources for the definition of lighting related words and phrases – the other being the CIE International Lighting Vocabulary (ILV).

As part of the IES converting all of their publications to an online library format, some publications have been given a new designation. RP-16 is now Lighting Science 1 (LS-1) and is at this link. Bookmark it now!

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LEDucation Update

March 5, 2020 in Color, Design, Education, Lighting Profession

LEDucation this year is on March 17 and 18 at the New York Hilton Midtown where I’ll be part of two presentations.  The first, at 9 am on Tuesday morning with Wendy Luedtke of ETC, is a seminar called Specifying Color Rendering with TM-30’s New Annex E.  The session presents the new ANSI/IES TM-30 Annexes E and F, which apply recent research to identify three color rendering design intents (Fidelity, Preference, and Vividness) and provides specifiers with TM-30 values to achieve them alone or in combination. Our goal is to increase awareness of Annexes E and F and to help attendees better understand their contents and use. The seminar is most appropriate for people with some prior knowledge of TM-30, although there will be a brief TM-30 overview for those who are new to the topic.

Then, on Wednesday, we’ll be joined by Jess Baker of Schuler Shook for a daylong demonstration of Annex E.  In the TM-30 Demo Room visitors will experience an immersive mockup illuminated with a variety of light sources illustrating the Annex E design intents. The lighting demonstrations will be paired with TM-30 values to show how TM-30 can be used to select light sources for each intent. Visitors will experience sources that meet different levels of the IES TM-30 specification guidelines outlined in IES TM-30-18 Annex E.  We’ll be presenting the demonstration on the hour and half hour from 9 am to 2 pm.

You can register to attend LEDucation here.

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Using TM-30 to Improve Your Lighting Designs

February 6, 2020 in Color, Design, Lighting Profession

Recently, ANSI/IES TM-30 was improved with the addition of Annexes E and F.  Annex F reviews and summarized five studies that explored using TM-30 metrics to predict subjective visual outcomes.  Annex E uses that research to establish recommended specification criteria when the designer’s color rendering goals are Preference, Vividness and/or Fidelity.

The IES Forum for Illumination Research, Engineering, and Science (FIRES) has an article I wrote with Michael Royer and Tony Esposito explaining the Annexes and how to use the information in Annex E.  Here’s the link: Using TM-30 to Improve Your Lighting Design – Illuminating Engineering Society

I’ve been using Annex E on projects and have spoken to other designers who have begun to use it.  It provides useful, accurate information that allows me to evaluate the color rendering results of light sources in a way that hasn’t been possible until now.  It lets me make informed decisions about my projects, and explain those decisions to colleagues and stakeholders in (relatively) easy to understand terms.

TM-30 and the TM-30 calculators continue to be a free download from the IES here.  Annexes E and F are also free on the Errata and Addenda page here and here.








Tags: color rendering, TM-30
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Soraa Profiles Jason Livingston and Studio T+L

May 14, 2019 in Design, Light, Lighting Profession, Reviews

Soraa (the LED lamp and fixture manufacturer) has published a profile of me and Studio T+L as part of their “Masters of Light” series. You can read it here.

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The DLFNY Annual “Debate”

February 13, 2019 in Education, Lighting Profession

On February 28th I’ll be one of the panelists at the annual DLFNY “Debate”. Here’s how they describe it:

Join us for a fun and educational evening of lively, sometimes absurd debate between members of the New York City lighting design community. Enjoy a verbal joust as the debaters take sides on some of the most pressing topics in the lighting industry, during a light-hearted evening of discussion mixed with humorous provocation and competition. 
The topics have been chosen to provoke a dialog, so the opinions expressed by our panel may not be their personal stance, but will surely be interesting to hear.

You can find more information and register at DLFNY.com

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NYT Talks Lighting Design, But Not With Lighting Designers

September 21, 2018 in Design, Lighting Profession

Sometimes the New York Times is oblivious and yesterday was one of them.  In an article titled Lighting a Room, Simplified the author wrote about the importance of lighting in the home.  In preparing the article, she spoke to and quoted four interior designers, one fixture manufacturers and  one professional lighting designer.  In addition, all eight of the photos in the article are taken during the day, so they’re nice illustrations of the use of windows and daylight in residential interiors but terrible illustrations of electric lighting, which is the topic of the article.  They seem to  be marketing photos for particular lighting fixtures, not examples of good lighting.

It’s too bad.  There are plenty of lighting designers who would have gladly shared their expertise and their work with the public if asked.  Unfortunately, this article is a reflection of the public’s (and the author’s) lack of awareness of the contribution good lighting, and therefore a good lighting designer, can make to a residential of commercial project.

Lighting doesn’t just come with a building.  Most interior designers and architect receive little or no training or education in lighting design when they’re in school.  Yes, some do have an affinity for lighting and can create beautiful work despite their lack of training.  However, the best lighting design is most likely to come from the best trained people – professional lighting designers.  If you are looking, one place to start is the IALD’s web site and the Find A Lighting Designer tool on the home page.








Tags: Lighting Credentials
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Design for Color and Illumination Webinar April 19th

April 2, 2018 in Color, Education, Lighting Profession

On April 19th Wendy Luedtke (my co-chair of the IES Color Committee) and I will be presenting a free IES webinar called Design for Color and Illumination.  Here’s the blurb from the IES site:

When developing a lighting design, lighting specifiers determine the lamp and fixture combination that best suits the design’s requirements based on many factors. While some considerations are largely technical, such as power consumption, the amount of light generated, and how light is distributed, one consideration is both technical and artistic and can be approached in a number of ways. Participants to this webinar are eligible for one (1) IES Continuing Education Unit (CEU).

The webinar is at 12 noon EDT.  Register here.








Tags: Color Perception, color rendering
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Philips Lighting Will Change Name To Signify

March 27, 2018 in Lighting Profession

No, not to signify something, but to Signify.  That’s the new name…








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Outdoor Night Time Lighting May Reduce Crime

March 8, 2018 in Health, Light, Lighting Profession

I’ve just learned about a study conducted last year for the New York City Housing Authority (NYCHA).  In a randomized trial 39 NYCHA sites received additional night-time lighting for 6 months, while 38 sites received no additional lighting.  The study showed these reductions in crimes:

Index crimes: 7% reduction in overall index crimes (day and night). This reduction in overall index crimes was driven by a 39% reduction in index crimes that took place outdoors at night.

Felony crimes: 5% reduction in overall felony crimes (day and night). This reduction in overall felony crimes was driven by a 30% reduction in felony crimes that took place outdoors at night.

Assault, homicide and weapons crimes: 2% reduction in overall assault, homicide, and weapons crimes (day and night). This reduction in overall assault, homicide and weapons crimes was driven by a 12% reduction in assault, homicide and weapons crimes that took place outdoors at night.

Misdemeanor crimes: No detectable change in net misdemeanor crimes in treatment communities.

The results of other studies have been mixed, but I’m not clear if they were controlled, randomized studies.

The disappointing thing, from a lighting designer’s perspective, is the data that’s missing.  The report tells us the fixture wattage and lumen output, but doesn’t tell us the area covered or measure the increased light levels.  Instead it treats light fixtures as fixed items and counts them per square block.  This method would be fine if the world had only one type of outdoor fixture, but it doesn’t  So more light is better, but it doesn’t say how much more or what the upper limit should be.








Tags: Light and Health, Lighting Economics
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About The Author

Jason Livingston IES, LC, LEED Green Associate is the principal of Studio T+L. In addition to his extensive design career, he has taught theatrical and architectural lighting design in New York City since 1993. He currently teaches architectural lighting design at Parsons The New School For Design and Pratt Institute.
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